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Consult the [http://meta.wikimedia.org/wiki/Help:Contents User's Guide] for information on using the wiki software. | Consult the [http://meta.wikimedia.org/wiki/Help:Contents User's Guide] for information on using the wiki software. | ||
== IAT881: BioAffective Computing. == | == IAT881: BioAffective Computing. == | ||
+ | |||
+ | Spring 2011 | ||
+ | |||
+ | Dr. Diane Gromala | ||
+ | |||
+ | |||
+ | |||
+ | '''Information''' | ||
+ | |||
+ | Class Meets: Wednesdays, 5:30pm – 8:20pm, SFU Surrey room #3040 and/or Black Box | ||
+ | Dr. Gromala’s Office hours: Wednesdays 3:00–4:00 & by appointment | ||
+ | Email: Note: title all emails BIOAFFECT to ensure that they will not get lost. gromala@sfu.ca | ||
+ | |||
+ | '''Course Description''' | ||
+ | |||
+ | NOTE: For purposes of SIAT degree requirements, this is designated as a Methods Course. | ||
+ | |||
+ | In this course, we will examine the changes from epistemological concerns about media to | ||
+ | ontological questions of the role of interactive media in affect, experience and being. | ||
+ | The focus will be on what is termed “affective computing,” extending it into realms of interactive | ||
+ | art, design & media, and envisioning how an emphasis on the more bological aspects of technology and experience of it might change our understanding of affective computing. | ||
+ | |||
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Revision as of 11:37, 13 January 2011
Consult the User's Guide for information on using the wiki software.
IAT881: BioAffective Computing.
Spring 2011
Dr. Diane Gromala
Information
Class Meets: Wednesdays, 5:30pm – 8:20pm, SFU Surrey room #3040 and/or Black Box Dr. Gromala’s Office hours: Wednesdays 3:00–4:00 & by appointment Email: Note: title all emails BIOAFFECT to ensure that they will not get lost. gromala@sfu.ca
Course Description
NOTE: For purposes of SIAT degree requirements, this is designated as a Methods Course.
In this course, we will examine the changes from epistemological concerns about media to ontological questions of the role of interactive media in affect, experience and being. The focus will be on what is termed “affective computing,” extending it into realms of interactive art, design & media, and envisioning how an emphasis on the more bological aspects of technology and experience of it might change our understanding of affective computing.